László Moholy-Nagy | Malerei Fotografie Film besteck unsere visuelle Umgebung interdisziplinär zu

unsere visuelle Umgebung interdisziplinär zu verschönern

its sharp edge

timeless line

Marianne Brandt

László Moholy-Nagy | Malerei Fotografie Film besteck unsere visuelle Umgebung interdisziplinär zuMoholy Nagy's significance for the avant garde is also evident in the book "Painting, Photography, Film," which he wrote and designed and which is now available as a facsimile. Around 1925, he began to reject handmade texture. He gave up painting to focus on "drawing with light." In doing so, he did not engage in traditional photography but sought experimentation: he demanded the "elimination of perspective representation," dreaming of "devices with