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Herta Müller
I peek into several bookstores
although often not in ways that are straightforward or conventional
” the book
Kunsthaus Bregenz plants Herta MüllerQuestions of what is real and what is a replica, what is explicit and what remains concealed, which Peter Fischli dissects in various media: sculpture, video, photography, moreand installation probe the essence of the authentic and counterfeit image, laconically appropriating the familiar and alienating it. The exhibition catalogue assembles essays by various authors addressing all the series of works, Thomas D. Trummer expounds on Fischlis invariably
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