What the Mega Fuck! children and modularity

and modularity

and break new ground by allowing innovative

She argues that Kraus’s 1997 I Love Dick marked the emergence of a newly performative

In The Curatorial Condition

What the Mega Fuck! children and modularityBetween cabinet of personal curiosity and documentary corpus, this collection of images gleaned from the Web offers a contemporary vision of amateur photography. It questions the place, function, and sharing of vernacular images, but also the new social relationships this phenomenon illustrates. On the social networks and websites where these images are found, the content is often accompanied by the acronym WTF, signifying the bewilderment it causes a